My multidisciplinary practice explores the shifting boundaries between identity, memory, displacement, and place. Working across installation, sculpture, painting, performance, sound, and site-specific approaches, I draw from personal and familial histories to examine how the self is formed, fragmented, and reconfigured through lived experience.

I am particularly interested in the relationship between the body and objects—especially ordinary or sentimental belongings that carry traces of memory and attachment. Through processes of casting, transforming, compressing, and recontextualising these objects, I explore the tension between preservation and loss, permanence and impermanence, and the personal and collective.

My work often takes the form of liminal environments that invite physical and psychological encounters between body, object, and space. Performance becomes a way of activating these relationships, allowing the boundaries between subject and object, self and environment, to become unstable.

Informed by Buddhist and Advaita Vedantic philosophies, as well as concepts of ego dissolution, my practice considers identity as fluid rather than fixed. I am interested in what emerges when familiar structures of selfhood begin to dissolve: not disappearance, but transformation, expansion, and becoming.